Participants: C.A. Murray (Host), Greg & Jill Morikone, Mollie Steenson, Reggie Smith
Series Code: TL
Program Code: TL016514B
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00:15 >>> WELCOME BACK TO 3ABN "TODAY LIVE."
00:19 AS OUR OPENING SHOT SHOWED YOU, I HAVE BEEN ABANDONED. 00:25 BUT WE HAVE SUCH A GREAT TIME, AND SUCH A GREAT WORKING 00:29 RELATIONSHIP HERE, MOLLIE STEENSON, JILL MORIKONE, GREG 00:32 MORIKONE, THREE OF THE INTEGRAL WORKING PARTS OF THIS MINISTRY. 00:37 ALONG WITH EVERYONE THAT WORKS HERE. 00:39 WE DON'T DEAL TOO MUCH IN HIGHS AND LOWS AND BIGS AND LITTLES. 00:44 EVERY PERSON FROM THE PEOPLE WHO COME IN AND HELP WITH UPKEEP AND 00:49 MAINTENANCE, TO THOSE YOU SEE ON AIR, TO THOSE BEHIND THE SCENES, 00:53 WE REALIZE THE WORDS OF THE NEW TESTAMENT ARE VERY, VERY TRUE. 00:59 . AND EVERYBODY WORKING TOGETHER 01:01 MAKES A COMPLETE ORGANISM. SO NO BIG IT'S LITTLE YOU'S WE 01:13 ALL WORK TOGETHER. TALK TO YOU A LITTLE BIT IN THE 01:16 FIRST HALF ABOUT THIS INTERVIEW. I HAD A CHANCE TO SIT DOWN AND 01:19 TALK ONE ON ONE WITH REGGIE SMITH. 01:23 GREAT HISTORY, GREAT PERSON, AND DANNY ASKED HIM TO BE THE 01:28 PRODUCER OF THIS LATEST PROJECT. AND YOU WOULD THINK SOMEONE WHO 01:32 SPENT SO MUCH TIME SINGING AND WORKING AND -- IN THAT INDUSTRY 01:36 WOULD HAVE NO PROBLEM, BUT HE LET US KNOW A LITTLE BIT THAT HE 01:42 HAD A LITTLE TREPIDATION BECAUSE OF THE SHOES HE WAS STEPPING IN 01:46 AND THE PROJECT HE WAS GIVEN TO DO. 01:48 I HAD A CHANCE TO TALK ONE ON ONE. 01:50 HE IS GOING TO TALK ABOUT THE PROJECT CALVARY, GIVE US A 01:54 LITTLE HISTORY OF HIS LIFE. AND REGGIE IS JUST A NEAT 01:58 CHRISTIAN GUY. WE DON'T GET TO HEAR HIM TALK 02:02 MUCH. WE HEAR HIM SINGING, BUT WE GOT 02:05 A CHANCE TO NAIL HIS FEET TO THE FLOOR, WHICH IS NOT AN EASY 02:10 THING TO DO BECAUSE HE IS SO EXCITED AND MOVING ALL THE TIME. 02:15 I THINK YOU'LL ENJOY THIS LITTLE VIEW INTO THE WORLD OF REGGIE 02:20 SMITH, HIS LOVE FOR THE LORD, AND HIS WORKING ON THIS BRAND 02:24 NEW PROJECT WHICH WILL BE DEBUTED AT CAMP MEETING THIS 02:29 YEAR, CALVARY. >> I'M HERE TALKING WITH REGGIE 02:33 SMITH AND WE RARELY GET A CHANCE TO SPEAK WITH HIM IN THIS 02:38 CAPACITY. OF COURSE WITH THE VIDEOS, AND 02:40 HE DOES SO MUCH STUDIO WORK. BUT WE NEVER GET HIM TO SIT 02:46 DOWN. FIRST OF ALL HE DOESN'T SIT DOWN 02:48 MUCH. BUT WE HAD A FEW SECONDS TO 02:52 CORRAL HIM TODAY. REGGIE GOOD TO HAVE YOU HERE. 02:57 >> THANK YOU, C.A. GOOD TO BE HERE. 03:00 >> LIKE THE NEW HAIRCUT. >> THANK YOU. 03:03 MY DADDY IS VERY PLEASED WITH IT. 03:08 [ LAUGHTER ] >> IS REGGIE SHORT FOR REGINALD? 03:12 >> IT'S ACTUALLY REGINAL WOULD THED. 03:18 >> AND MIDDLE NAME? >> LANCE. 03:21 >> IT'S HARD TO SAY RENIGAL, WITHOUT THE D. 03:30 MY MOTHER PROBABLY FORGOT TO PUT IT ON BECAUSE HE WAS IN A HURRY, 03:36 I DON'T KNOW. [ LAUGHTER ] 03:37 >> YOUR MUSIC HISTORY, YOU TALKED ABOUT THIS A LITTLE BIT. 03:40 YOU HAVE A MASTER'S IN MUSIC. >> I ACTUALLY DO NOT HAVE A 03:48 MASTER'S. I WAS EIGHT HOURS FROM FINISHING 03:51 MY MASTER'S WHEN WE WENT ON THE ROAD FULL-TIME WITH THE GOSPEL 03:58 ARTIST LARNEL. AND THE MOVE TO FLORIDA TO -- TO 04:03 DO THAT GO FULL-TIME, THAT'S WHEN WE STARTED WORKING WITH 04:07 DISNEY BEHIND THE SCENES A LITTLE BIT AT THAT POINT. 04:10 >> YEAH, BUT YOU HAVE A PRETTY WIDE BACKGROUND YOU HAVE AND 04:15 LADY BOTH HAVE YOUR UNDERGRADUATE DEGREES. 04:19 >> YEAH, FROM UNIVERSITY OF MISSISSIPPI 04:21 >> OLE MISS. >> THAT'S MIGHT, OLE MISS. 04:25 I HAVE AN UNDERSTOOD GRADUATE IN MUSIC EDUCATION, AND WAS A 04:29 TEACHER FOR A SHORT STINT. I WAS TEACHING CHILDREN. 04:39 I LOVED IT. DROVE THE YELLOW SCHOOL BUS AND 04:42 EVERYTHING. [ LAUGHTER ] 04:42 >> I WAS A BUS DRIVER, EVERYTHING, YOU KNOW? 04:45 AND I WAS -- THERE WERE TWO MEN IN THE WHOLE -- THE 04:50 TEACHERS -- THE PHYS-ED TEACHER, AND THE MUSIC TEACHER, SO WE GOT 04:55 CALLED UPON TO MOVE DESKS AND THINGS ALL THE TIME. 04:59 SO WE WERE QUITE BUSY, BUT IT WAS GREAT FUN. 05:03 AND LADY LOVE HAS HER MASTER'S. SHE HAD A MASTER'S IN 05:10 COUNSELING. VERY CLOSE TO THE MASTER'S, 05:13 DIDN'T QUITE FINISH IT. >> SO YOU MET IN COLLEGE? 05:16 >> WE MET IN COLLEGE. MATTER OF FACT, C.A., THE DAY I 05:21 AUDITIONED, I WAS PLAYING FOOTBALL AT ANOTHER SCHOOL. 05:25 AND I GOT HURT, AND SO I TRANSFERRED OVER TO THE 05:29 UNIVERSITY OF MISSISSIPPI WHERE LADY LOVE HAD BEEN. 05:31 SEVERAL OF MY HIGH SCHOOL FRIENDS AND MY GIRLFRIEND OF SIX 05:35 YEARS WAS THERE IN THE CHOIR. THEY SAID COME OVER HERE, THEY 05:40 ARE GIVING SCHOLARSHIPS TO SING IN THE SCHOLARSHIPS TO SING IN 05:46 THE CHOIR. AND I DID REALLY? 05:50 I DON'T HAVE TO BE BRUISED UP BY THESE BIG GUYS ANYMORE. 05:55 I WAS LISTENING TO THE CHOIR, AND NEXT TO MY GIRLFRIEND OF SIX 05:59 YEARS WAS LADY LOVE. THE REST IS HISTORY. 06:03 >> ALL RIGHT. WERE YOU ALWAYS INTERESTED IN 06:06 MUSIC? AND DID YOU PLAN ON MAKING IT 06:08 YOUR VOCATION OR WAS IT SOMETHING YOU JUST SLIPPED INTO? 06:12 >> THAT'S A GOOD QUESTION. MUSIC HAS ALWAYS BEEN A VERY 06:16 STRONG PART OF OUR FAMILY. MY DAD WAS A MINISTER OF MUSIC 06:21 IN A SMALL LOCAL CHURCH. MOTHER PLAYS A PIANO IN OREGON. 06:28 GREAT ORGANIST. HER FEET ARE JUST INCREDIBLE. 06:31 AND SHE JUST -- ALL OF THE KNOBS, AND SHE JUST SHOWS UP AND 06:37 DOES IT. AND I HAVE TWO BROTHERS. 06:41 I'M THE MIDDLE OF THREE BOYS. >> UH-HUH. 06:44 >> BUT EVERYBODY SAYS I ACT LIKE THE BABY OF THE FAMILY. 06:48 >> UH-HUH. [ LAUGHTER ] 06:50 >> BUT, YOU KNOW, SO MUSIC WAS ALWAYS A VERY STRONG PART OF OUR 06:56 FAMILY. WE SANG TOGETHER AND STUFF IN 06:58 CHURCH. EARLY ON I KNEW -- AND I THINK 07:00 IT WAS THE LORD EVEN THOUGH I WAS NOT SO CONSCIOUS OF IT, 07:04 PROBABLY SIX, SEVEN YEARS OLD, I KNEW THAT MUSIC WOULD PLAY A 07:10 VITAL ROLE IN MY LIFE. I HAD SUCH A DEEP LOVE FOR IT. 07:14 IT WAS A VERY NATURAL THING FOR ME. 07:16 I HEARD TONES AND PITCHES, APP, YOU KNOW, THEY CALL IT 07:22 ADHD -- I'M NOT SAYING I HAVE IT, BUT I PROBABLY HAVE IT. 07:27 [ LAUGHTER ] >> I CAME ALONG ALMOST BEFORE 07:30 THEY KNEW WHAT THAT WAS. >> YEAH. 07:32 >> BUT IN CLASS I WOULD HEAR A CRACK IN THE WALL OR A MOVEMENT 07:36 OF A PIECE OF PAPER, AND I WOULD SAY THAT IS A D FLAT. 07:42 >> OH, MY SOUL. >> THAT WAS AN F. 07:46 >> UH-HUH. >> WITH THAT ADHD COMES A LOT OF 07:52 WEIRD THINGS. >> SO YOU PERCEIVED YOUR WORLD 07:55 THROUGH NOTES. >> YES. 07:57 SO MUSIC WAS A MAJOR, MAJOR THING, AND GOD WAS -- YOU KNOW, 08:01 I ALWAYS KNEW THAT THAT WAS A VERY IMPORTANT THING IN MY LIFE. 08:05 >> DID YOU LIKE TEACHING? IN 08:07 >> I DID. >> TEACHING IS -- THERE IS ONE 08:12 IN PARTING OF KNOWLEDGE, AND THERE IS KEEPING ENOUGH ORDER SO 08:16 THAT YOU CAN. BECAUSE I DID A LITTLE TEACHING. 08:19 >> SO YOU KNOW. >> I KNOW HOW TO IN PART 08:22 KNOWLEDGE. IT IS THAT ORDER THING THAT I 08:25 HAD A PROBLEM WITH. >> THAT'S VERY PROBLEMATIC AT 08:29 THIS TIMES. AND I HAD A 150-VOICE FIFTH 08:34 GRADE CHOIR. THAT'S A VERY TRANSITIONAL TIME. 08:37 >> UH-HUH. >> TRYING TO BE BIG BOYS AND 08:41 GIRLS. >> YEAH. 08:41 >> WE WERE TRYING TO TREAT IT AS SUCH WITH GREAT DIGNITY AND 08:46 RESPECT. THEY LOVED IT. 08:48 NOW COULD IT GET A LITTLE RAMBUNCTIOUS, YES, IT COULD. 08:54 SO WE JUST TRIED TO HAVE A LITTLE FREEDOM IN THAT, AND NOT 08:58 JUST BE A GESTAPO AND YOU MUST. BUT EVERY NOW AND THEN WE HAD 09:05 MOMENTS OF CREATIVITY. AND YOU HAVE A LITTLE FREEDOM TO 09:08 DO THIS, AND THEY LOVED IT. AND THEY REALLY RESPECTED THAT. 09:12 BUT YES, THE ORDER OF THINGS WAS ALWAYS A CHALLENGE. 09:16 [ LAUGHTER ] >> YOUR ARE A BIG PRINCIPLE AND 09:19 A LITTLE WARDEN. >> ABSOLUTELY. 09:22 RIGHT. RIGHT. 09:23 >> TELL ME HOW YOU GUYS TRANSFERRED INTO DOING STUDIO 09:31 WORK. WAS IT BY REFERRAL? 09:34 YOU KNOW SOMEBODY WHO KNOWS SOMEBODY? 09:36 HOW DID THAT HAPPEN? >> IT HAPPENED IN ORLANDO JUST 09:40 OUT OF COLLEGE. WE HAD A GROUP CALLED FRIENDS. 09:44 AND THEN WE WERE THERE BASED OUT OF ORLANDO, AND IT WAS A GROUP 09:47 OF FIVE THAT WAS WHITTLED DOWN TO THREE EVENTUALLY, BUT FIVE 09:53 PEOPLE, AND SO IT -- I -- WE SANG AT SOMETHING THERE IN 09:58 ORLANDO, AND THEN ONE OF THE -- THE -- THE PEOPLE WHO 10:02 HIRE -- WE CALL THEM CONTRACTORS IN THE BIZ, CONTRACTORS, VOCAL 10:08 CONTRACTORS SAW ME THERE, AND SAID, HEY, CAN I USE YOU ON A 10:13 SESSION IN I SAID SURE? SESSION? 10:16 YEAH, I HAVE ALWAYS BEEN INTERESTED IN THAT. 10:19 SO I STARTED DOING A FEW SESSIONS AND ONE THING LEAD TO 10:23 ANOTHER, AND THEN ANOTHER VOCAL CONTRACTOR SAID HEY, I CONTRACT 10:27 WITH DISNEY, I WOULD LOVE TO USE YOU ON SOME DISNEY SESSIONS, AND 10:33 I GREW FROM THERE. AND IT JUST REALLY -- I LOVED 10:37 IT. BECAUSE IN THE STUDIO, 10:39 EVERYTHING IS FAST. I THINK THAT'S WHERE THE ADHD 10:44 REALLY KICKS IN. I SAY THAT IN JEST. 10:47 I TRY TO TURN A GOOD SPIN ON THAT. 10:50 YOU KNOW? [ LAUGHTER ] 10:50 >> BUT I THINK THAT YOU HAVE TO BE REALLY FOCUSED AND ONCE YOU 10:54 GET A PERSON LIKE THAT THAT IS HYPER, REALLY FOCUS -- THEY 10:59 REALLY HYPER FOCUS. AND SOMETIMES IN THE STUDIO, I 11:02 CAN HYPER FOCUS. >> YEAH, YOU CAN. 11:05 >> JUST REALLY CONCENTRATE AND LOCK IN. 11:08 SO THANK THE LORD FOR HELP ME HAVE A LITTLE FOCUS FROM TIME TO 11:12 TIME. MY WIFE IS HELPING ME DAILY AT 11:16 HOME. >> YEAH. 11:17 >> BUT WORKING WITH DISNEY AND WORKING ON SOME MOVIES AND 11:20 THINGS LIKE THAT WAS A FABULOUS LEARNING EXPERIENCE FOR A IT LL 11:26 COUNTRY BOY OUT OF MISSISSIPPI TO DO THAT. 11:27 >> UH-HUH. >> BUT IT REALLY JUST LIT ME ON 11:32 FIRE FOR THE STUDIO, AND THE CREATIVITY OF RECORDING, AND 11:37 THINGS LIKE THAT. SO, YEAH, IT WAS AL CHA 11:40 ENGINEER -- CHALLENGE, BUT I LOVE IT, AND THE LORD HAS REALLY 11:45 BLESSED US. >> I WANT TO ASK YOU TWO 11:48 QUESTIONS. >> YES. 11:50 >> HOW DID YOU FIND THE GEATHERS, OR GEATHERS FOUND YOU? 11:55 AND YOU HAVE BEEN WITH THEM FOR A FEW YEARS. 11:59 >> WE HAVE BEEN WITH MR. AND MRS. GAITHER FOR -- BOY, 17 12:03 YEARS NOW, PROBABLY. >> YEAH, THAT'S WHAT I THOUGHT. 12:07 I WAS LIKE WAIT A MINUTE THAT IS REGGIE. 12:10 WHO IS THAT CHILD? [ LAUGHTER ] 12:11 >> BACK IN THE DAY WITH THE REALLY SHORT HIGH AND TIGHT 12:16 HAIRS -- >> OH, YEAH. 12:18 >> BUT GUY PENROD -- WELL, LET ME GO BACK A LITTLE FURTHER. 12:24 WHEN TRAVELING WITH LARNEL, WE WOULD GO TO DIFFERENT FESTIVALS. 12:28 AND THERE WAS A FESTIVAL THAT THE GEATHERS HOSTED CALLED THE 12:33 PRAISE GATHERING IN INDIANAPOLIS. 12:36 TENS OF THOUSANDS OF PEOPLE WOULD COME IN AND PACK THE DOME 12:43 THERE. AUTHORS AND ARTISTS AND ALL 12:45 TOGETHER, AND THEY WOULD HAVE SPEAKING TIMES AND LENDING 12:48 TIMES -- >> UH-HUH. 12:49 >> AND WRITERS WOULD TALK ABOUT THEIR BOOKS, AND THEN THERE 12:52 WOULD BE CONCERTS AND ARTIST CONCERTS AND THINGS, SO I THINK 12:56 THAT'S WHEN WE WERE FIRST INTRODUCED TO MR. GAITHER AT 13:01 THAT TIME WITH LARNEL. >> AH. 13:07 >> SO IT WAS GREAT GROUPS. NOW, THAT'S WHEN WE WERE FIRST 13:13 INTRODUCED. A FEW YEARS LATER IN THE STUDIO, 13:17 GUY PENROD WHICH WAS PART OF THE HOMECOMING AND VOCAL BAND FOR 13:23 MANY, MANY YEARS, THE GUY WITH THE REAL LONG HAIR -- 13:27 >> YEAH, DISTINCT LOOK. >> THE COUNTRY BOY WITH THE BIG 13:32 BELT BUCKLE AND LONG HAIR -- >> YEAH. 13:34 >> GREAT MAN. LOVES THE LORD WITH ALL OF HIS 13:38 HEART. AND DEAR FRIEND. 13:39 WE WERE DOING A SESSION TOGETHER. 13:40 >> UH-HUH. >> AND HE SAID HEY, MAN -- HE 13:45 COULD CALL ME CHAMP. WHAT IS GOING ON WITH YOU IN 13:49 WHAT ARE YOU INTO? JUST DOING THIS AND THAT. 13:52 AND DOING SOME PRODUCING AND WRITING. 13:55 AND HE SAID WHAT ARE YOU DOING ON SUCH AND SUCH A DATE? 14:02 YOU KNOW? WE WOULD LOVE MAYBE YOU COME 14:05 SING A DAY OR TWO WITH US. I SAID WE'RE ACTUALLY OUT THAT 14:09 WEEKEND, WE'RE IN FLORIDA, SUFFERING FOR THE LORD ON A 14:14 BEACH RETREAT. >> SOMEBODY HAS GOT TO DO IT. 14:17 >> SOMEBODY HAS GOT TO DO IT. [ LAUGHTER ] 14:20 >> IT WAS A BIG KID GATHERING ON THE BEACH. 14:23 I LOVE TO DO THAT. ANYWAY, AND I SAID -- BUT -- HE 14:28 SAID LET'S TALK FURTHER ABOUT IT. 14:31 SO THAT KIND OF INTRODUCED US AND I WENT AND SANG WITH THEM 14:35 FOR A WHILE UNTIL THEY FOUND SOME FULL-TIME SINGERS, THEY 14:39 WANTED TO DO THAT. AND WE GOT TO KNOW MR. GAITHER, 14:44 AND HE SAID HEY WE'RE DOING THIS THING CALLED THE HOMECOMING, WE 14:50 WOULD LOVE YOU TO BE A PART OF IT. 14:53 YOU ARE ALREADY DOING SESSIONS. AND THEY DIDN'T KNOW AT THIS 14:56 TIME THAT LADY LOVE EVEN SANG, AND I DID A CRUISE WITH THEM, 15:00 AND LATER HE SAID NEVER BRING IT UP, I LOVE JUST KIND OF RELAXING 15:04 ON THE CRUISES, AND GETTING THE MASSAGES, AND NOT HAVING TO GET 15:09 ON A STAGE AND STUFF. >> YEAH. 15:11 >> AND THAT WEEK HE FOUND OUTL LADY LOVE SANG. 15:20 AND HE IS LIKE HAVE HER COME TO THE STUDIO AS WELL. 15:24 SO THAT'S HOW IT ALL STARTED. WE JUST BECAME GREAT FRIENDS. 15:29 AND THEY ARE GREAT MENTORS OF OURS. 15:32 >> WERE YOU LOOKING AT NASHVILLE AT THAT TIME. 15:35 >> WE WERE LIVING IN NASHVILLE AT THAT TIME. 15:38 >> HOW DID YOU HOOK UP WITH LARNEL? 15:42 >> THAT WAS ACTUALLY AN AUDITION AT THE TIME. 15:45 AND LADY LOVE AND -- AND MYSELF WE WERE SUPPOSED TO GO WITH A 15:49 GROUP CALLED TRUTH BASED OUT OF MOBILE. 15:54 A GREAT CHRISTIAN GROUP. >> UH-HUH. 15:56 >> AND WE -- THERE WERE A FEW MONTHS THAT WE HAD BEFORE WE 15:59 WERE GOING TO DO THAT. >> UH-HUH. 16:01 . >> SO LADY LOVE HAD BEEN WORKING 16:03 FULL-TIME AS A RECRUITER FOR OLE MISS. 16:11 SHE HAD FINISHED HER MASTER'S DEGREES. 16:15 AND GOT A CALL THAT THERE WERE AUDITIONS FOR LARNEL HARRIS. 16:21 AND WE JUST LOVED HIM AND WHO HE WAS ABOUT AND WHO HE WAS AS A 16:25 PERSON, AND WHAT HIS MUSIC STOOD FOR. 16:28 WE JUST LOVED HIS CONSERVATIVE APPROACH AND WHO HE WAS AS A 16:32 HUMAN BEING. WE LOVED GOD AND AN AMAZING 16:36 SINGER. >> OH, YEAH. 16:37 >> INCREDIBLE. GOT THE PIPES, YOU KNOW. 16:40 SO HE IS AUDITIONS. SHE GOT THERE, AND THEY SAID 16:45 THEY NEED A MALE. SO SHE CALLED ME AND SAID WHAT 16:49 ARE YOU DOING? AND I SAID I'M JUST ON SCHOOL 16:54 BREAK. AND SHE SAID COME AUDITION. 16:57 AND I WAS LIKE, FOR WHAT? FOR LARNEL. 17:02 I SAID YOU ARE KIDDING ME. SO I SAID I'M GOING TO FLY DOWN 17:07 AND DO THAT. SO THAT'S HOW IT GOT STARTED. 17:10 >> YOU HAVE BEEN AT THIS A GOOD CHUNK OF YOUR LIFE NOW. 17:13 >> YEAH. YEAH. 17:15 >> WHAT IS THE DIFFERENCE BETWEEN, AND IS THERE AN 17:21 INTERSECTION OF MINISTRY AND PERFORMANCE? 17:25 WHEN YOU ARE CALLED TO STAND AND DELIVER FOR THE LORD, IS IT 17:30 MINISTRY, IS IT PERFORMANCE, IS THERE AN INTERSECTION OF THE 17:34 TWO, ARE THEY TOTALLY SEPARATE? KIND OF WALK ME THROUGH THAT AS 17:40 YOU SEE IT. >> OF COURSE MY LITTLE OPINION 17:43 DOESN'T MEAN A WHOLE LOT, PROBABLY. 17:46 AND I HOPE THIS DOESN'T GET ME IN TROUBLE. 17:49 BUT I THINK FOR ME THERE IS A LITTLE BIT OF AN INTERSECTION. 17:54 I DON'T KNOW IF WE WOULD CALL IT A PERFORMANCE, BUT IT IS A 17:58 PERFORMANCE. WE HAVE TO DELIVER, SO IT CAN 18:00 KIND OF BE LOOKED AT AS A PERFORMANCE, YOU KNOW. 18:03 >> YEAH. >> OBVIOUSLY OUR PRAYER IS THAT 18:06 THE LORD JUST TAKES OVER AND DOES HIS THING, AND WE ARE JUST 18:11 AN INSTRUMENT. HE DIDN'T HAVE TO USE US. 18:14 HE CAN USE SOMEONE ELSE. >> UH-HUH. 18:16 >> SO I THINK THERE IS AN INTERSECTION THERE. 18:18 YOU KNOW, OBVIOUSLY IT IS MINISTRY. 18:21 >> YEAH. >> THAT'S REALLY -- IT'S 18:25 MINISTRY, IS THIS HUGE UMBRELLA OF THAT. 18:28 AND -- TO ME, AND I THINK THAT WE NEED TO PRESENT EXCELLENCE AT 18:33 ALL TIMES. IT NEEDS TO BE VERY EXCELLENT. 18:36 AND IT NEEDS TO BE HONEST, AND -- AND THAT'S WHAT LADY LOVE 18:40 AND I TRIED TO ALWAYS PRESENT IS HONESTY. 18:44 BECAUSE THE LORD -- YOU KNOW, THE BEST WE CAN BRING -- WE 18:49 ALWAYS KNOW THE BEST I CAN BRING HIM IS JUST RAGS, THE BEST I CAN 18:54 DO, YOU KNOW, ON TALENT. >> UH-HUH. 18:57 >> ON ANYTHING, THE BEST I CAN DO IS REGULARS. 19:00 >> AND YET YOU HAVE TO BRING YOUR RAGS. 19:03 >> BRING YOUR RAGS. >> MY JOB IS TO PREPARE -- 19:06 >> YES. >> -- AND GIVE THE BEST I CAN 19:09 FROM THE TECHNICAL STANDING POINT, FROM THE GIFT HE HAS 19:12 GIVEN ME, AND THEN SURRENDER THAT. 19:14 >> YES. >> AND AT THE POINT WHERE I GIVE 19:17 HIM MY BEST AND LAY IT AT HIS FEET, HE TAKES IT AND MAKES IT A 19:25 MINISTRY. BUT YOU STILL HAVE TO GIVE HIM 19:27 YOUR GIFT. IMPROVE THAT, AND LAY IT AT HIS 19:30 FEET. SO I THINK THERE IS AN 19:34 INTERSECTION. >> ABSOLUTE INTERSECTION. 19:37 I'M GOING TO BRAG ON YOU A LITTLE BIT. 19:43 WE WERE IN LONDON A WHILE AGO. AND YOU BROUGHT THAT -- YOUR 19:51 BROUGHT YOUR TALENT, YOU WERE SINGING A SONG -- I DON'T 19:53 REMEMBER THE SONG, BUT THE LORD USED YOU POWERFUL TWO DIFFERENT 19:58 TIMES, AND LADY LOVE AND I -- IT JUST MOVED US. 20:01 AND WE SAW THAT INTERSECTION HAPPEN, AND IT HAPPENED BECAUSE, 20:06 YOU KNOW, YOU -- YOU WERE PERFORMING, YOU WERE DELIVERING 20:10 USING YOUR TALENTS AND USING YOUR GIFT, BUT MY GOODNESS THE 20:15 LORD TOOK OVER -- >> YEAH, YOU GET TO THE 20:18 INTERSECTION MORE THAN I DO. [ LAUGHTER ] 20:19 >> BUT YOU KNOW THAT -- >> I MAY GET THERE OCCASIONALLY, 20:24 BUT YOU ARE AT THAT INTERSECTION A LOT. 20:27 >> RIGHT. RIGHT. 20:28 WE JUST PRAY THAT WE'RE NOT IN THE FLESH. 20:32 IN THAT THE LORD JUST MOVES US. WHEN I SAY THE RAGS, I DON'T 20:36 MEAN TO TALK IT DOWN, BUT EVEN THE BEST, HE CAN ALWAYS MAKE IT 20:41 BETTER. >> OH, YEAH. 20:43 >> BUT IT IS IMPORTANT TO ALWAYS TRY TO BE EXCELLENT. 20:47 I THINK IT'S ALWAYS GOOD TO PRESS FORWARD -- 20:51 >> YES, AGREED. >> -- JUST REALLY PRESS FORWARD. 20:54 BECAUSE WE ARE SINGING TO PEOPLE WHO ARE HURTING. 20:57 WE'RE SPEAKING TO PEOPLE WHO ARE HURTING OR IN NEED. 21:00 EVEN THE LEADERS OF THE CHURCH ARE HURTING AND IN NEED. 21:04 >> UH-HUH. >> WE'RE FACED WITH TOUGH THINGS 21:07 IN LIFE. >> OH, YES. 21:09 >> DEATH IS A PART THING IN LIFE. 21:12 YOU HAVE BEEN A PASTOR FOR YEARS AND YEARS, AND DEATH IS NOT A 21:17 EASY THING TO DEAL WITH. >> NO, IT ISN'T. 21:21 >> OR SICKNESS. BUT WE'RE SINGING ABOUT THOSE 21:24 THINGS, BUT THE GREAT THING ABOUT THE GOSPEL MUSIC, AND WE 21:28 ALL KNOW THAT -- I KNOW WE'RE SPEAKING TO THE CHOIR HERE, BUT 21:32 THERE'S HOPE. THERE'S ALWAYS HOPE. 21:35 THERE'S DELIVERANCE. I'M TEACHING MY 13-YEAR-OLD, I'M 21:41 JUST TRYING TO HELP HIM ALONG THE WAY. 21:44 AND I'M LIKE IT JUST COMES DOWN TO THE LORD. 21:47 IT COMES DOWN TO JESUS. EVERYTHING COMES DOWN TO THAT. 21:51 SIMPLIFY. JUST THINK ABOUT THAT. 21:53 HELP OF THE LORD, AND JUST TRY TO HELP SOMEBODY ELSE. 21:57 GET IT OFF OF YOU, AND TRY TO HELP SOMEBODY ELSE. 22:01 SO IN DELIVERING THAT IN THAT INTERSECTION OF PERFORMANCE AND 22:05 MINISTRY, ABSOLUTELY THERE IS -- >> YEAH. 22:07 AND WHEN IT'S RIGHT AND THE ANOINTING IS THERE, BUDDY YOU 22:11 KNOW IT. AND YOU KNOW WHEN HE AUDIENCE 22:13 HAS GOT IT. >> YOU DO. 22:15 >> AND YOU ARE IN THE PERFECT SPOT. 22:18 >> LORD DO YOUR THING. DO YOUR THING. 22:21 [ LAUGHTER ] >> MELT HEARTS. 22:22 MELT HEARTS. >> YEAH, PRAISE THE LORD. 22:24 HAVING -- WITH ALL OF THIS BACKGROUND, WHEN DID YOU MEET 22:29 DANNY. >> OKAY. 22:29 THAT IS INTERESTING. IT WAS ON A GAITHER CRUISE. 22:32 >> AH-HA. >> I CAN'T REMEMBER THE YEAR, 22:35 BUT IT HAS BEEN 12, 14 YEARS NOW. 22:38 DANNY AND ET, AND ET'S HUSBAND WERE ON THAT CRUISE. 22:46 AND I MET DANNY PLAYING PING-PONG. 22:49 >> UH-HUH. >> WE WERE HAVING THIS 22:52 COMPETITION. WE HAVE SOME REALLY GOOD 22:55 PLAYERS, LINDA RANDALL, SHE -- HER HUSBAND, HE WAS A 22:59 YOUTH PASTOR -- DON'T MESS AROUND WITH YOUTH PASTORS ON THE 23:03 PING-PONG TABLE. THEY SPENDING A LOT OF TIME ON 23:06 THE PING-PONG TABLE. [ LAUGHTER ] 23:07 >> DANNY SHOWS UP, AND THIS AMBIDEXTROUS GUY, LEFT AND RIGHT 23:13 HAND, EQUALLY AS STRONG, ALWAYS AN OFFENSIVE SLAM. 23:17 I'M GOING WHO IS THIS GUY? I WAS A PRETTY GOOD PLAYER. 23:22 MY DAD WAS A REALLY GOOD PLAYER, AND I GREW UP GETTING GRILLED 23:26 WITH THE PING-PONG IN MY TEETH. HE WAS UNBELIEVABLE. 23:31 AND WE JUST CONNECTED INSTANTLY. I LOVED THE GUY. 23:34 I LOVED HIS COMPETITIVISM, AND HE PLAYED BASKETBALL EQUALLY 23:42 INCREDIBLE. AND I SAW SOMETHING IN DANNY 23:44 THAT I WAS COMPLETELY CONNECTED TO. 23:47 I'M LIKE SOMETHING ABOUT THIS GUY -- YOU KNOW, HE IS A COUNTRY 23:50 BOY LIKE ME, BUT SOMETHING IS GOING ON WITH THIS GUY. 23:53 HE IS CONNECTED. HE IS CONNECTED SOMEHOW ON 23:57 ANOTHER LEVEL. YOU KNOW, I THINK HE LISTENS TO 24:01 GOD'S VOICE IN THIS INCREDIBLE WAY, AND THEN ET, I JUST FELL IN 24:05 LOVE WITH THIS WOMAN, THIS PRODUCER, THIS TALENTED, 24:10 GREAT -- WE TALKED MUSIC AND STUFF. 24:12 AND THEN THEY CALLED AND SAY, HEY, A COUPLE OF WEEKS LATER, 24:16 THEY SAID HEY, WE HAVE THIS CD THAT WE'RE PRODUCING. 24:21 WE WOULD LOVE FOR YOU TO DO SOME BACKGROUND. 24:25 I'M LIKE WHERE? THEY ARE LIKE UP IN SOUTHERN 24:29 ILLINOIS? AND I'M LIKE WHERE? 24:31 >> YEAH, WHERE THERE? [ LAUGHTER ] 24:36 >> I SAID WHY DON'T YOU GUYS COME DOWN HERE. 24:39 WE HAVE ALL OF THESE GREAT STUDIOS DOWN HERE. 24:42 COME ON DOWN HERE. AND THEY WERE LIKE WELL, WE CAN 24:45 DO THAT, BUT THE MORE WE TALKED -- AND I WAS SO 24:49 INTRIGUED. AND SHE TALKED ABOUT BOBBY, AND 24:51 I WAS LIKE, YEAH, I KNOW THE HISTORY OF THAT. 24:54 BOBBY AND ALL OF THE MUSIC CONNECTION, AND I SAID I WILL 24:58 COME, AND I CAME AND I JUST FELL IN LOVE WITH EVERYBODY, AND WAS 25:02 JUST SO CONNECTED. I WAS CONNECTED WITH DANNY 25:04 BEFORE THE MUSIC, BEFORE EVERYTHING, WE JUST CONNECTED ON 25:09 THE PING-PONG TABLE. I TELL YOU THAT DID IT. 25:12 WHEN HE BEAT ME SO BADLY ON THE PING-PONG TABLE, I'M LIKE I'M IN 25:17 MAN. [ LAUGHTER ] 25:18 >> YOU HAVE DONE A LOT OF WORK TOGETHER. 25:20 >> YEAH. >> YOU HAVE DONE BACKGROUND 25:24 VOCALS FOR A NUMBER OF THINGS HERE, AND I WAS ACTUALLY BLESSED 25:28 TO SEE YOU WORK, TO SEE YOU COME IN, BITE DOWN ON A PROJECT AND 25:33 JUST LOCKDOWN AND JUST KNOCK OUT TEN SONGS, AND YOU JUST HEAR IT. 25:38 YOU HEAR WHERE TO PUT IT. YOU KNOW, WE TELL A STORY SO 25:42 MANY TIMES ABOUT MY GETTING YOU AND YVONNE TOGETHER, AND TRYING 25:49 TO TELL YOU TO YVONNE, AND SHE HAS DONE SO MUCH OF THE WORK, 25:55 AND SHE DIDN'T KNOW YOU AT ALL. AND SHE IS LIKE ARE THEY GOING 25:58 TO SLOW ME DOWN. AND I TALKED TO YOU, WHO IS THIS 26:02 PERSON? IS SHE GOING TO SLOW US DOWN? 26:05 [ LAUGHTER ] >> AND I'M LIKE YOU ARE GOING TO 26:07 LOVE EACH OTHER. >> YOU ARE RESPONSIBLE FOR THAT, 26:13 YOU KNOW THAT? >> BY THE TIME I GOT TO THE 26:16 STUDIO, YOU GUYS HAD ALREADY BONDED. 26:18 AND I THINK YOU SAW RIGHT AWAY YOU HAD KIND OF A SOUL MATE 26:27 THERE. BUT UNMISTAKENLY YOU WERE THE 26:31 LEAD PERSON. YOU COULD HEAR WHERE TO PUT 26:35 THINGS, BUT JUST WATCHING THAT PROCESS WAS JUST AMAZING TO ME. 26:39 >> THAT DAY, I REMEMBER VERY CLEARLY, OF COURSE, AND YOU 26:42 COMING IN, I REMEMBER WHEN YOU CAME IN, YVONNE, JUST ONE LOOK 26:48 AT THIS BEAUTIFUL LADY, AND WE WERE INTRIGUED WITH HER. 26:51 AND WE KNEW A LITTLE BIT OF HER HISTORY. 26:54 WE ARE LIKE THIS GIRL HAS SUNG ON SOME BIG RECORDS. 26:59 BIG JINGLES. WE KNEW ALL OF THIS STUFF, SO AT 27:02 THIS POINT IN TIME, WE KNEW, BUT RIGHT -- THAT DAY -- BUT WE 27:10 DIDN'T KNOW IF IT WAS GOING TO LOCK, IF IT WAS GOING TO WORK. 27:14 THERE'S TIME PRESSURE IN A STUDIO. 27:17 THERE'S NO REHEARSAL, YOU READ A CHART, WRITE A CHART, READ IS 27:25 CHART. DO THIS. 27:26 DO THIS. I'LL TAKE THE FIVE, YOU TAKE THE 27:29 THREE. >> YEAH. 27:30 >> THEY ARE LIKE WAIT, WAIT, WAIT. 27:38 OKAY. GOT IT. 27:39 BUT THE FIRST LINE WE SANG TOGETHER, AND LADY LOVE AND I 27:43 LOOKED AT EACH OTHER, AND WE WENT OH, YEAH. 27:47 THIS IS GOOD. WE FELL IN LOVE WITH HER, SHE IS 27:49 JUST FABULOUS. >> THE PEDIGREE, YOU HAVE GOT TO 27:53 KIND OF CHECK YOUR EGO AT THE DOOR. 27:56 IF YOU CAN'T WORK WITH PEOPLE, THEN YOU HAVE PROBLEMS. 28:00 >> THAT'S TRUE. AND YVONNE -- HOW CAN YOU NOT 28:03 LOVE YVONNE. WHAT IS NOT TO LIKE ABOUT THIS 28:07 GIRL? SHE IS FABULOUS. 28:08 SHE IS A GREAT HUMAN BEING. SHE IS A GREAT -- SHE IS A 28:13 GIVING PERSON. AND THAT'S IT, YOU HAVE GOT TO 28:15 GIVE OUT. YOU CAN'T TAKE. 28:17 >> YEAH. WHAT A NICE BLEND, AND I SAID 28:20 OH, THEY ARE FRIENDS. >> YOU DID THAT. 28:22 YOU DID THAT, MY BROTHER. [ LAUGHTER ] 28:25 >> THE LORD IS SO GOOD. WELL, THEN HAVING WORKED WITH 28:31 DANNY FOR SO MANY YEARS, I DON'T KNOW WHEN ACTUALLY HE STARTED 28:36 LAYING THE BURDEN ON YOU TO PRODUCE THIS NEW PROJECT. 28:39 WE HAVE GONE THROUGH PILLARS, AND HOME AT LAST, AND YOU WERE 28:43 INTEGRAL TO ALL OF THAT STUFF. BUT ON THIS ONE HE WANTED YOU TO 28:47 KIND OF TAKE THE LEAD. >> YEAH. 28:49 >> TALK TO US ABOUT THAT. >> HE CALLED ME ONE NIGHT, AND 28:53 HE SAID HEY, I HAVE BEEN THINKING ABOUT THIS, AND I 28:56 THINK -- I THINK YOU NEED TO PRODUCE THIS PROJECT. 28:58 I SAID NO. I SAID NO RIGHT OFF OF THE TOP. 29:01 I SAID NO, DANNY. ALL RIGHT. 29:05 THAT'S BIG. AND BECAUSE WE HADpS GREAT -- YOU 29:08 KNOW, I HAD BEEN IN ON SOME OF THE MEETINGS, ON SOME OF THE 29:13 THINGS THAT WE WANTED TO DO. AND I WOULD BE MAYBE JUST THE 29:19 VEHICLE CONTRACTOR AND PLAY THAT ROLE. 29:22 I'M VERY COMFORTABLE WITH THAT. LA 29:28 LA LARRY GOSS WAS OUR MENTOR. 29:35 A SANG A LOT THAT HE WROTE. AND LARRY WAS OUR GUY. 29:39 AND WE LOVED HIM. AND HE IS SO MISSED. 29:42 HE IS SO MISSED. SO I JUST KNEW THERE WAS JUST NO 29:45 WAY I COULD FILL HIS SHOES. THERE IS JUST NO WAY. 29:50 HE WAS THE KING IN THE STUDIO TO US. 29:53 HE WAS OUR GUY AND STILL OUR GUY. 29:55 SO GREATLY MISSED, AND WE TALKED AND DANNY SAID REGGIE, YOU CAN 30:00 DO THIS,#泠YOU KNOW -- YOU KNOW, MY FOLKS, AND THEY LOVE YOU, 30:04 AND -- AND I THINK YOU -- YOU KNOW HOW TO DO THIS. 30:08 YOU PRODUCE ALL THE TIME, BUT I -- AND WE TALKED MORE. 30:11 AND THEN WE TALKED o SAID YOU THINK ABOUT IT, AND I 30:15 SAID DANNY, I NEED TO PRAY ABOUT THIS, I REALLY DO. 30:19 NOT TO PUT HIM OFF. I SAID HONESTLY, I DO. 30:22 THIS IS A BIG DECISION FOR ME. IT'S VERY IMPORTANT FOR IT TO BE 30:26 RIGHT. >> UH-HUH. 30:27 >> YOU KNOW? BECAUSE THIS IS A BIG THING. 30:29 AND I THINK THIS WILL BE IMPACTFUL. 30:32 BECAUSE I KNOW PILLARS WAS A VERY IMPACTFUL PRODUCTION. 30:39 >> HE KNEW AND WE KNEW YOU HAD THE SKILLS, WHAT GAVE YOU 30:44 HESITATION? >> I HAD FEAR. 30:46 AND I DON'T HAVE A LOT OF FEAR WHEN IT COMES TO MUSIC. 30:49 I HAD A LITTLE BIT OF FEAR, HONESTLY BECAUSE LARRY PRODUCED 30:54 THE LAST PROJECT, AND HE TRULY IS MY GUY. 30:57 HE IS MY GUY. HE IS PRODUCER OF ALL PRODUCERS 31:02 TO ME. AND I JUST LOVE HIS MUSIC. 31:05 >> SO IN THE WAKE OF THAT TITAN, YOU WANT TO KEEP THE BAR UP. 31:10 >> YEAH, BUT YOU CAN'T. I JUST CAN'T GO DOWN THAT ROAD. 31:13 AND DANNY SAID DON'T DO THAT. JUST DO WHAT YOU NEED TO DO. 31:17 MAKE BEAUTIFUL MUSIC, AND LET'S GET GREAT SONGS. 31:22 LET'S WRITE SOME GREAT SONGS, AND LET GOD ANOINT THE PROJECT, 31:26 AND LET'S JUST DO IT THE WAY THE LORD WANTS TO DO IT. 31:30 YOU KNOW DANNY, HE TOOK THE PRESSURE AND FEAR OFF OF ME, AND 31:34 HE SAID YOU CAN DO THIS, AND I SAID OKAY. 31:37 >> SO HIS CONFIDENCE IN YOU INSPIRED YOUR CONFIDENCE IN YOU. 31:45 >> IT DID. >> WHEN DANNY SAID, WELL, I HAVE 31:51 AS ASKED REJ TO PRODUCE THIS, WE 31:57 SAID COOL. [ LAUGHTER ] 31:57 >> OH, YOU DID? >> AND I THINK WE GOT SOME NEW 32:03 STUFF. LANNY WOLF IS NOT IN THE MIX, 32:07 AND REG HAS SUCH A GOOD EAR, AND HE DIDN'T HAVE TO SELL US, 32:11 BECAUSE WE HAD SEEN YOU WORK. SO WE KNEW THE PROJECT WAS IN 32:15 GOOD HANDS. AND THE IDEA THAT IT WAS GOING 32:18 TO CONTAIN SO MUCH NEW MATERIAL AND4e EXCITING STUFF, DID THAT 32:22 CHALLENGE YOUR CREATIVE JUICES IN ANY PARTICULAR WAY. 32:25 >> ABSOLUTELY. ONCE I SAID LET'S DO THIS THING, 32:27 I GOT SO EXCITED? THIS I SAID I'M SO EXCITED. 32:32 I'M NERVOUS. I'M FEARFUL. 32:34 I HAVE BEEN PART OF HUNDREDS -- HUNDREDS OF 32:38 PROJECTS, YOU KNOW, PRODUCED MANY, MANY PROJECTS, BUT I'M 32:41 MORE EXCITED OVER THIS ONE, I THINK THAN ANY PROJECT. 32:44 >> PRAISE THE LORD. >> I REALLY AM, AND IT'S THE 32:48 FULL ORCHESTRA, THE FULL DEAL, SO IT'S A VERY LARGE PROJECT, 32:53 AND -- BUT I'M SO EXCITED ABOUT IT, AND I REALLY THINK THAT THE 32:57 LORD -- I KNOW THE LORD IS GOING TO USE IT TO SOME CAPACITY, AND 33:01 WE HOPE THAT HUNDREDS OF THOUSANDS OF PEOPLE CAN GET THIS 33:04 PROJECT -- >> YEAH. 33:05 >> CAN REALLY ENCOURAGE THEM. IT'S ABOUT THE CROSS OF CALVARY. 33:10 IT'S A VERY SIMPLE THING. IT'S A STRONG THING. 33:13 AND I THINK THAT CAN CROSS ALL BOUNDARIES AND HELP A LOT OF 33:16 PEOPLE IN NEED. >> YEAH. 33:18 >> AND WE WANT EVERYBODY TO HEAR THIS. 33:20 >> YEAH. YEAH. 33:21 >> EVERYBODY TO HEAR THIS, YOU KNOW, EVEN IN THE SECULAR WORLD. 33:25 HEY, THE SECULAR WORLD NEEDS TO HEAR ABOUT THE CROSS OF CALVARY. 33:30 I MEAN THAT'S THE HOPE OF THE WORLD. 33:32 >> AMEN. >> SO THE THEME EXCITED ME A 33:36 LOT. AND LENNIE WOLF'S MUSIC, HE IS 33:42 FABULOUS. >> IT IS. 33:43 YOU WROTE SOME THINGS, DID YOU NOT? 33:45 >> YEAH, I WROTE ONE SONG. I HAD ANOTHER ARRANGEMENT OF 33:51 ANOTHER HYMN, THAT I WANTED TO DO, AND WE WERE IN THE TRACKING 33:54 DAY -- RECORDING THE RHYTHM -- THE RHYTHM SECTION 33:59 BEFORE THE ORCHESTRA COMES IN. AND WE WERE AT THE LAST CHART, 34:03 AND WE WERE LITTLE BIT AHEAD OF THE GAME. 34:05 WE HAD A COUPLE OF HOURS LEFT. AND YOU KNOW DANNY -- YOU KNOW 34:12 DANNY, HE'S A GREAT PRODUCER, JUST A FABULOUS PRODUCER. 34:16 HE LETS US COME ALONG, BUT HE IS REALLY PRODUCING THIS 34:20 HE IS FABULOUS. HE KNOWS WHAT IS GOING ON AT ALL 34:24 TIMES. HE IS THE EXECUTIVE GUY. 34:29 AND HE SAID WHAT CHARTS DO YOU HAVE LEFT? 34:34 AND I SAID I HAVE THIS ONE LEFT. IT WAS A GREAT HYMN. 34:39 AND HE SAID I DON'T KNOW THAT ONE THAT WELL. 34:41 [ LAUGHTER ] >> I LOOKED AT HIM, AND WENT, 34:45 WHAT? [ LAUGHTER ] 34:46 >> AND SAID I KNOW YOU KNOW THIS SONG. 34:49 HE SAID DIDN'T YOU WRITE ONE? I SAID IT DIDN'T MAKE THE CUT. 34:53 [ LAUGHTER ] >> IT'S ON THE CUTTING FLOOR. 34:55 IT DIDN'T MAKE THE CUT. I CUT IT. 34:58 I'M PRODUCER, SO I CUT IT. IT WASN'T GOOD ENOUGH. 35:01 HE SAID I REMEMBER THE MELODY OF THAT, AND THE HOOK, AND HE SAID 35:06 I REALLY LIKE THAT SONG. HE SAID I THINK WE NEED TO CUT 35:09 IT. I SAID DANNY, NO. 35:11 I DON'T HAVE A CHART WRITTEN -- NO. 35:14 MY GUYS ARE READY TO PLAY. WE HAVE GOT ENOUGH SONGS DON'T 35:18 WORRY ABOUT IT. I TRIED EVERY"g WAY I COULD -- AND 35:22 HE SAID LET'S GIVE IT A GO. AND HE HEARD IT AND HE THOUGHT 35:27 IT WAS A BEAUTIFUL MELODY. AND HE SAID IT IS REALLY GOING 35:30 TO GO WELL WITH THE PROJECT. I SAID DANNY, REALLY? 35:34 HE SAID YEAH, LET THE GUYS TAKE A PLACE. 35:36 GO ON THE PIANO, AND LARRY PAXSON WAS PLAYING THAT DAY. 35:43 GREAT MUSICIAN. AND HE WROTE THE BAND CHARTS AND 35:47 HE SAID LET HIM GO IN THERE, AND WHEN YOU PLAY IT DOWN, HE'LL 35:50 JUST WRITE A CHART ON THE FLY. I SAID I HAVEN'T EVEN FINISHED 35:55 WRITING IT DANNY. I SAID I'LL GIVE IT A GO. 35:59 I SAID GUYS TAKE 15 MINUTES. LARRY COME WITH ME. 36:06 AND I JUST STARTED SINGING. AND HE IS WRITING A NUMBER 36:11 CHART, NOT THE NOTES -- BECAUSE YOU CAN WRITE A QUICK NUMBER 36:15 START. HE IS LIKE WOE, WOE, WAS THAT A 36:19 6 MINOR THERE? YEAH, A 6 MINOR THERE. 36:23 AND I SAID THE BRIDGE WILL BE SOMETHING LIKE THIS. 36:25 >> RIGHT. >> I KIND OF WANTED SOME 36:27 BRIDGE -- PLAY THE BRIDGE -- AND HE IS WRITING. 36:30 OKAY. AND HE GOES BACK. 36:32 ALL RIGHT. I SAID WE'LL DO IT IN THIS KEY, 36:35 AND YOU'LL CUT IT WE'LL GO FROM VERSE TO VERSE, AND WE'LL START 36:39 IT HERE -- I'LL SING THIS FIRST VERSUS, AND THEN WE'LL DO A KEY 36:44 CHAIN AND THEN LADY LOVE WILL DO A COLD KEY CHANGE. 36:50 AND WE GOT THE GUYS IN, CUT IT, AND IN 15 MINUTES WE HAD THE 36:55 SONG. >> WOW. 36:56 >> DANNY MADE THAT HAPPEN. >> WHAT IS THE NAME OF THE SONG? 37:01 >> FOREVER I'LL BELIEVE. >> LET'S WALK THROUGH, BECAUSE I 37:06 HAVE THE LIST, YOU DO TOO. >> YEAH. 37:10 >> AT CALVARY. WAS THAT A LANNY SONG -- 37:15 >> THAT WAS AN OLD HYMN. ♪ 37:20 >> OH, YEAH. >> YEAH, THE OLD HYMN, AND SO WE 37:24 NEEDED SOMETHING THAT -- THAT WAS KIND OF SOMETHING -- A 37:27 SING-ALONG SONG. >> YEAH. 37:29 YEAH. >> THAT THE AUDIENCE WOULD LOVE 37:33 TO PARTICIPATE WITH US. WITH THE HARMONIES. 37:41 AND I THOUGHT HOW COULD WE ARRANGE THAT, THAT WOULD BE 37:46 INVITING TO SING. >> A LITTLE BIT OF A METER TO 37:50 IT. >> A 6-8 -- NOT A 6-8, BUT KIND 37:53 OF A LITTLE BIT OF A LIGHT FEEL TO IT. 37:56 >> YEAH. UH-HUH. 37:57 >> SOMETHING THAT IS JOYFUL AND JUST MAKES YOU SMILE. 38:01 >> OH, YEAH. >> I THOUGHT LET'S COME UP WITH 38:04 A -- NOT OVER THE TOP KIND OF THING, BUT SOMEBODY THAT JUST 38:08 MAKES US SMILE, AND INVITES EVERYBODY TO SING ALONG. 38:12 AND UNINVITED THEY START SINGING AN OLD HYMN. 38:16 AND WE WERE SITTING IN THE STUDIO AND STARTED PLAYING -- 38:19 >> VERY RECOGNIZABLE. >> EVERYBODY STARTED SINGING 38:22 ALONG. >> EVERYBODY KNOWS IT, YEAH. 38:26 YEAH. >> SO I DESIGNED IT -- WE'LL 38:28 HAVE SOME TRIOS IN THERE, CHOIR, SOLO, A DUE -- DUO. 38:39 >> YOU HAVE TRIED SOME THINGS IN HERE WITH TRIOS, CHOIRS, ALL OF 38:45 THAT IS IN HERE. >> YES. 38:46 >> AND HAVING BEEN THERE FOR THE -- FOR THE ORCHESTRATIONS, 38:51 AND FOR THE BRASS -- >> RIGHT. 38:53 RIGHT. >> OUTSTANDING STUFF. 38:55 REALLY, REALLY, REALLY GOOD STUFF. 38:57 >> YES. >> ALL RIGHT. 39:00 AT THE CROSS. >> AT THE CROSS, I WAS SITTING 39:04 ON MY PIANO AT HOME. AND A LOT OF TIMES YOU JUST PLAY 39:07 OUT OF FEELING, AND YOU JUST PLAY THINGS, AND SOMEHOW AT THE 39:12 CROSS CAME INTO MY MIND. >> UH-HUH 39:17 >> OBVIOUSLY THINKING ABOUT THE CROSSING ABOUT CALVARY, AND 39:22 MAYBE GRABBING A COUPLE OF OLD HYMNS THAT COULD LYRICALLY REACH 39:28 SOMEONE, AND I SAT DOWN AND JUST KIND OF STARTED PLAYING, A 39:32 LITTLE BIT OF A DIFFERENT VERSION, BUT JUST A NICE FEEL. 39:35 A HEART-PULLING FEEL. AND AT CHRISTMAS DANNY AND 39:40 YVONNE AND SANDY CAME BY, AND WE HAD THEM OVER FOR A LIGHT SNACK, 39:45 AND A LOT OF TIMES AT CHRISTMAS WE'RE SIT AROUND AND PLAY, AND I 39:52 ALWAYS GRAB THE GIBSON AND GET DANNY ON IT TO PLAY. 39:55 BECAUSE HE DIDN'T PLAY A LOT, BUT HE IS A GREAT GUITAR PLAYER. 39:59 >> UH-HUH. >> HE PLAYS THESE BEAUTIFUL 40:02 CHORDS LIKE LADY LOVE'S DADDY WOULD PLAY. 40:05 >> YEAH. >> THESE INCREDIBLE OLD JAZZ 40:13 CHORDS. AND I SAID YVONNE THIS IS WHAT 40:16 I'M WORKING ON ♪ "THE CROSS, AT THE CROSS ♪ 40:22 >> AND SHE SAID YES, OH, MY, YES. 40:26 SHE SAID ABSOLUTELY. SO THAT'S HOW THAT ARRANGEMENT 40:30 CAME ABOUT. >> THIS IS MAYBE ONE OF THE MOST 40:34 UNUSUAL -- UNUSUAL IS NOT THE WORLD -- UNIQUE, ECLECTIC 40:40 RENDITIONS OF THIS SONG -- I THINK PEOPLE WILL REALLY ENJOY 40:44 IT. BECAUSE THIS IS NOT YOUR 40:47 FATHER'S AT THE CROSS. >> RIGHT. 40:49 RIGHT. >> WHEN I HEARD THAT, I WAS LIKE 40:52 THAT'S AT THE CROSS. THAT IS REALLY SOMETHING. 40:55 IT GRABS YOU RIGHT AWAY IF YOU KNOW THE SONG, IT'S A CLASSICAL 41:01 SONG, AND WHAT YOU HAVE DONE WITH IT -- 41:03 ♪ AT THE CROSS, AT THE CROSS, WHERE I FIRST ♪ 41:06 >> YES. >> AND JUST A LITTLE BIT MORE 41:17 E-MOTIVE, I GUESS. >> YES, IT'S LOVELY, IT'S 41:21 ENGAGING, AND JUST A VERY NICE THING TO DO WITH THAT PARTICULAR 41:25 SONG. ALL RIGHT. 41:26 CALVARY SAYS LOVE. >> CALVARY SAYS LOVE. 41:30 I'M SORRY ABOUT THAT. I THOUGHT I HAD MY PHONE TURNED 41:35 OFF THERE. DANNY WROTE THIS SONG. 41:37 IT ACTUALLY WAS ON THE OTHER PROJECT. 41:40 >> YEAH. >> IT IS VERY PENETRATIVE LYRIC. 41:48 >> YEAH. >> A BEAUTIFUL SONG. 41:50 AND I THOUGHT THIS IS GOING TO BE ON THE NEXT PROJECT THAT WE 41:53 DO. LADY LOVE IS SINGING THIS SONG, 41:58 BUT I THOUGHT LET'S TAKE A LITTLE BIT DIFFERENT APPROACH. 42:02 BUT LADY LOVE -- WHEN DANNY WRITES THESE SONGS, HE WRITES 42:06 THEM ON THE GUITAR. AND HE WRITES THEM WITH THESE 42:10 BEAUTIFUL DEEP CHORDS, AND HE USES SOME BEAUTIFUL CHORDS, AND 42:14 HE USED CHORDS LIKE LADY LOVE'S DADDY. 42:18 HE WAS A GREAT GUITAR PLAYER, AND HE PLAYED THAT GREAT 40S 42:30 SOUNDS. AND THAT'S THE WAY I HEARD IT. 42:32 AND I KNEW IT WOULD TOUCH HER, BECAUSE IT WOULD GET THAT OLD 42:36 GIBSON SOUND WITH THE BEAUTIFUL CHORDS AND JUST MAKE IT 42:40 BEAUTIFUL WITH THE BEAUTIFUL STRING LINES THAT IT WOULD BE 42:42 WHAT WE NEEDED. AND THAT'S THE WAY WE DID IT. 42:50 AND THEY DID A BEAUTIFUL JOB WITH THE OLD GIBSON SOUND, SO IT 42:53 WAS AN EASY CONNECTION FOR ME. BECAUSE AS A PRODUCER YOU TRY TO 42:57 FIND A WAY TO CONNECT ALL OF THE DOTS, AND SEE A VISION OF HOW IT 43:02 WOULD BE. AND PEOPLE ARE GOING I DON'T SEE 43:04 IT GOING THAT WAY. AND YOU GO JUST TAKE A RIDE WITH 43:09 US, I THINK IT WILL GET THERE. [ LAUGHTER ] 43:12 >> YEAH. >> IT WAS VERY PUSH AND PULL -- 43:15 >> YEAH. >> AND IT WAS JUST BEAUTIFUL. 43:18 HOW DANNY WOULD PLAY IT, HOW LADY LUCK'S DADDY WOULD PLAY IT, 43:23 AND JUST SITTING ON THE COUCH AND LADY LOVE SINGING IT. 43:28 >> WELL DONE. THE TITLE OF THIS IS INTRIGUING. 43:33 FOREVER I BELIEVE. >> YEAH, THIS IS A SONG THAT 43:36 LADY LOVE AND MARTY THUNDERBERG AND I WROTE TOGETHER. 43:40 AND THAT IS THE ONE THAT DANNY FORCED OUR HAND ON. 43:43 SO WE'RE PRETTY EXCITED ABOUT THIS SONG. 43:46 YOU KNOW, IT'S -- IT'S -- IT'S TALKING ABOUT THE CROSS, THE 43:52 CALVARY, THE HOPE THAT WE HAVE IN THE CROSS, AND THAT JESUS 43:57 STRETCHED HIS ARMS WIDE AND DIED AND CHOSE TO DIE. 44:02 AND HE PRAYS IF THERE'S ANOTHER WAY, LET'S DO IT. 44:06 >> YEAH. THIS ALBUM, IS NOT A -- A 44:12 RECOLLECTION OF WHAT IS THE WORD I'M SEARCHING FOR -- IT'S ALMOST 44:17 A BIBLE STUDY ON WHAT HAPPENED AT THE CROSS. 44:20 IT IS A DELVING INTO THE EXPERIENCE OF THE CROSS, THE 44:24 RESULT OF THE CROSS. GUESS [ INAUDIBLE ]. 44:30 >> WHAT A SONG. I JUST FEEL IT IN MY SPIRIT THAT 44:33 THIS IS GOING TO REACH THOUSANDS AND THOUSANDS OF PEOPLE. 44:36 >> UH-HUH. >> IT'S -- THIS IS A DANNY-LANNY 44:40 SONG. >> UH-HUH. 44:41 >> DANNY HAD THE ORIGINAL IDEA OF -- OF THE CHORUS. 44:47 AND HE PLAYED IT TO ME ONE NIGHT, AND LITERALLY THE NIGHT 44:52 BEFORE WE ARE ABOUT TO CUT TRACKS. 44:54 THE LORD GIVES HIM THIS MELODY, AND THEN THE LYRICS. 44:58 >> UH-HUH. >> HE SUFFERED THROUGH BLOOD, 45:04 SWEAT, AND TEAR -- >> AND HE IS PLAYING IT ON THE 45:09 PHONE. AND WE'RE GOING TO CUT TRACKS 45:12 THE NEXT MORNING. >> RIGHT. 45:14 >> I SAID DANNY, WE HAVE TO. >> THAT'S THE ONE THAT HAS THE 45:20 LINE EACH TEAR SHED BROUGHT US A MILLION YEARS -- 45:27 >> EACH DROP OF BLOOD HE SHED BROUGHT ME A BILLION YEARS. 45:36 >> YEAH. >> IT IS STUNNING. 45:39 AND TOGETHER THEY WERE JUST AN INCREDIBLE TEAM. 45:41 >> YEAH. >> AND I TELL YA, I AM SO -- WE 45:45 WERE ALL SO VERY MOVED BY THIS, AND THE STRINGS CAME 45:49 OUT -- CHRIS WILLKWILKINSON, IT IS AN INCREDIBLE SONG. 46:02 THIS WAS A LAST-MINUTE THING, AND IT'S LIKE WE WEREN'T 46:06 PLANNING ON IT, IT JUST -- >> YEAH, AND THE ORCHESTRA PART 46:10 OF THIS IS LUSH AND FULL -- >> MAGNIFICENT, LUSH AND FULL 46:14 AND BEAUTIFUL. AND I AM SO EXCITED. 46:19 I WROTE SOME REALLY GREAT CHOIR PARTS TO THIS. 46:23 WE JUST BUMBLE IN THERE, AND HE DOES HIS THING, BUT I TRULY AM 46:28 AS EXCITED ABOUT THIS SONG AS ANYTHING ON THE PROJECT. 46:31 >> IT IS BEAUTIFUL. WE HAVE GOT A FEW MORE. 46:35 HEAVEN CAME DOWN. ♪ HEAVEN CAME DOWN AND GLORY 46:40 FILLED MY SOLE ♪ >> YEAH. 46:43 >> JUST A LITTLE BIT OF LOAN. THIS IS GOING TO BE A QUARTET 46:47 NUMBER. WE NEVER HAVE DONE A QUARTET 46:50 NUMBER. >> TRUE. 46:51 >> JOHN WILL SING THE LEAD. DANNY IS GOING TO SING THE 46:55 BARITONE ON THIS. >> UH-HUH. 46:56 . >> AND WE'RE GOING TO HAVE THE 47:00 GREAT GENE McDONALD SING THE BASE. 47:04 YOU KNOW GENE. >> OH, YEAH. 47:07 >> GENE TO ME IS THE GREATEST BASE SINGER ALIVE. 47:12 APART FROM WHITLEY PITTS. BUT WE'RE SO EXCITED ABOUT THIS. 47:25 >> YEAH. >> IT JUST MAKES US SMILE. 47:27 YOU REMEMBER IN THE STUDIO WE WERE ALL SMILING. 47:31 >> YEAH, WE WERE. I REMEMBER THE VIOLINS, THE HIGH 47:35 STRINGS -- >> OH, MAN. 47:36 >> AND I SAY THIS. CHRIS WILKINSON DID A MASTERFUL 47:44 JOB. >> I HAVE WORKED ON SO MANY 47:51 THINGS THAT CHRIS HAS ORCHESTRATED. 47:54 BUT THIS IS MAGNIFICENT. WE KNOW ALL OF THE DIFFERENT 47:58 THINGS THAT SHE AND DAVID HUNTSINGER DID ON THE FIRST 48:06 PROJECT. SHE IS JUST AMAZING. 48:08 ONE SONG TO THE NEXT, SHE TREATS EACH SONG -- SHE WORKS WITH THE 48:13 GRAMMYS, SHE WORKS WITH THE CMA'S. 48:17 THAT HER WRITING AND PLAYING ALL OF THAT STUFF. 48:20 AND SHE IS JUST HIGHLY REGARDED. GARTH BROOKS. 48:24 EVERYBODY YOU CAN THINK OF, CALLS CHRIS TO WORK ON THEIR 48:28 STUFF. I WAS SO HONORED TO WORK WITH 48:30 HER. SHE IS SO TALENTED. 48:32 SHE IS A BLAST TO WORK WITH. SHE HAS GOT ALL OF THIS GREAT 48:36 ENERGY. >> YEAH. 48:37 >> SHE IS JUST WONDERFUL. AND SHE IS JUST A CREATIVE 48:42 GENIUS. >> SHE REALLY IS. 48:43 ABILITY WITH HUMILITY. NOT A DIVA. 48:46 >> NO. >> BUT BRINGS A MOUNTAIN OF 48:49 TALENT. >> MOUNTAIN. 48:50 >> AND JUST HUMBLE AND SWEET, BUT KNOWS WHAT SHE IS DOING. 48:54 >> AND FUN. >> AND FUN, YES. 48:57 >> WE HAD FUN IN THAT STUDIO, WE LAUGHED A LOT. 49:00 HARD WORK. >> HARD WORK. 49:02 >> HARD WORK, BUT WE KEPT IT LIGHT, AND THAT IS A GREAT 49:07 CREDIT TO YOU DANNY AND CHRIS. ALL RIGHT. 49:11 THE HYMN MEDLEY. >> I'M EXCITED ABOUT THIS FOR 49:18 YOU, MY BROTHER. PASTOR C.A., IT BEGINS WITH 49:23 ♪ WERE YOU THERE WHEN THEY CRUISEFIED MY LORD ♪ 49:27 >> YEAH. >> AND YOU START THE WHOLE HYMN 49:34 ALMOST COLD TURKEY WITH ♪ WERE YOU THERE ♪ 49:36 >> YEAH. >> C.A. MURRAY WILL DO IT, MAN. 49:40 AND I'M REALLY EXCITED ABOUT THIS. 49:43 YOU'LL DO A VERSE AND A CHORUS, AND WE'RE TRANSITION TO JOHN AND 49:48 HIS KEY, AND THE CHOIR WILL CONTINUE TO BACK HIM UP, AND DO 49:52 THAT. >> YEAH. 49:53 >> AND THEN WE'LL GO INTO JESUS PAID IT ALL, TO HIM I OWE IT 50:03 ALL. AND WE'LL GO INTO A LADY'S PART 50:05 ON THAT, WITH THE WHOLE GANG AND THE CHOIR. 50:08 >> YEAH. >> AND THEN AT THAT POINT WE'LL 50:10 GO INTO A CHORUS OF -- SO I CHERISH THE OLD CROSS. 50:15 >> OH, YEAH. >> ALL SING-ALONG CHOIR. 50:19 AND THEN TAMMY GOES INTO THE SOLO OF THE VERSE. 50:22 >> WOW. >> AND AT THAT POINT DANNY AND 50:25 TAMMY WILL SING A DUO, AND MAYBE MELODY, SO WE'LL HAVE THE 50:32 SHELTON GANG SINGING INTO THE CHOIR. 50:33 >> YOU HAVE A LOT OF GREAT STUFF GOING ON. 50:36 >> OH, YEAH. >> MOVING ALONG. 50:42 ALL OUR GLORY. >> OKAY. 50:44 THIS IS A GREAT SONG. I WILL GLORY AND THE CROSS. 50:48 THIS IS A DOTTY RAMBOW SONG. AND IT HAS BEEN RECORDED MANY, 50:53 MANY TIMES. AND I THOUGHT IN MY MIND -- SHE 50:58 WAS A KENTUCKY GAL. INCREDIBLE WRITER. 51:02 EVEN LANNY, THE WRITERS -- THE GREAT WRITERS, THEY WILL ALL SAY 51:08 SHE IS A GREAT WRITER, BUT SHE WOULD WRITE, I THINK ON THE 51:12 GUITAR. >> UH-HUH. 51:14 >> IN THREE OR FOUR CHORDS, VERY SIMPLE, BUT BOY, MAGNIFICENT. 51:20 AND SHE WROTE HER SONGS REALLY QUICKLY. 51:22 I DON'T KNOW THE STORY ON THIS ONE EXACTLY. 51:26 I DO NEED TO GET IT. BUT I WOULD THINK SHE WOULD 51:29 WRITE THIS SONG AND COUNT ON THAT GUITAR SOUND. 51:35 AND I THOUGHT WHAT IS A DIFFERENT APPROACH TO THIS? 51:38 I HAVE HEARD IT OFF OF THE TOP, BUT MAYBE MORE OF A KENTUCKY 51:42 KIND OF THING. >> UH-HUH. 51:44 >> WHAT IF WE GO A LITTLE MORE CELTIC SOUND. 51:50 >> YEAH. >> REALLY OPEN AND LET THE CHOIR 51:54 BE PART OF IT. NEIGHBOR BRING THE PENNY WHISTLE 51:59 IN, WITH THE ACOUSTIC GUITAR, AND IT ENDS IN A FLOURISH. 52:05 >> SEE, YOU HEAR THOSE THINGS. WHEN THE PENNY WHISTLE CAME IN, 52:10 I THOUGHT BOY THAT IS A PERFECT BLEND WITH THAT. 52:13 I THOUGHT HOW DID HE HEAR THAT? [ LAUGHTER ] 52:17 >> THAT'S A CELTIC FEEL, AND IT TAKES A SONG THAT IS A COUNTRY 52:21 SONG, BUT GIVES IT JUST THIS LITTLE CHANGE, AND IT WORKS 52:26 PERFECTLY. >> YEAH. 52:26 >> THAT'S WHY THE MUSIC IS SO STRONG. 52:30 LET'S SEE. IT WAS LOVE. 52:32 >> IT WAS LOVE, DANNY-LANNY. DANNY-LANNY SONG. 52:38 ABSOLUTELY STUNNING BEAUTY. YOU REMEMBER WHEN WE WERE 52:40 RECORDING THAT. >> OH, YEAH. 52:42 >> THE STRINGS -- I'M TELLING YOU -- WOW. 52:46 I COULD JUST LISTEN TO THE STRING TRACKS AND IT IS JUST 52:50 ABSOLUTELY STUNNING. >> PRAISE THE LORD. 52:53 WE HAVE TO HURRY, BECAUSE WE'RE GOING TO LOSE THE HOUR HERE. 52:57 PRAISE HIS HOLY NAME. >> PRAISE HIS HOLY NAME, I TELL 53:03 YA, LANNY SONG. WE'RE HOPING THEY WILL SING ON 53:06 THAT. >> THAT WOULD BE SO NICE. 53:10 >> WE'RE SO HONORED. IT IS GOING TO BE MAGNIFICENT. 53:15 >> OKAY. PRECIOUS BLOOD. 53:17 >> PRECIOUS BLOOD, LANNY SONG. >> UH-HUH. 53:21 >> MAGNIFICENT SONG. AND IT WILL BE A BIG CHOIR 53:25 PIECE. MELODY WILL BE SINGING A VERSE, 53:28 LADY LOVE WILL SING A VERSE. >> OKAY. 53:30 WE HAVE GOT TWO MORE. >> >> YEAH. 53:38 >> PRESSURE LAMB OF GOD. >> BEAUTIFUL SONG. 53:41 MELODY DOES A SPECTACULAR JOB. IT'S SO BEAUTIFUL. 53:45 IT'S JUST -- SHE IS BASICALLY MARY, SHE IS SINGING ABOUT HER 53:49 SON JESUS. >> YEAH. 53:51 YEAH. >> YOU KNOW, AS A LITTLE BOY AND 53:53 AS HE GROWS UP. IT'S JUST SPECTACULAR. 53:56 >> EXCELLENT. ALL RIGHT. 53:57 LOVE FOUND A WAY. >> COME ON. 53:59 [ LAUGHTER ] >> THIS IS THE MIDNIGHT HOUR 54:01 SONG AND -- THAT WAS ADDED AND -- AND -- AND IT'S -- IT'S A 54:08 MELODY -- LANNY SONG. SO MELODY AND LANNY WROTE THIS 54:12 SONG. ABSOLUTELY GORGEOUS. 54:14 ADDED ON LAST SECOND. IT WAS ONE OF THOSE LAST SECOND 54:17 MOMENTS. THE LORD GAVE THE SONG AND WE 54:19 SAID THERE IT IS. WE'RE SO EXCITED ABOUT ALL OF 54:22 THESE NEW SONGS. AND LET ME SAY THIS. 54:25 I KNOW WE HAVE GOT TO GO QUICK, BUT AS THE PRODUCER OF THIS 54:28 PROJECT, HERE IS THE THING, I HAVE LEARNED REAL QUICKLY, HIRE 54:33 REALLY WELL. HIRE GREAT PEOPLE AROUND YOU, 54:35 AND GET OUT OF THE PEOPLE AND LET THEM DO THEIR WORK. 54:38 >> YEAH. YEAH. 54:40 YEAH. >> THAT'S THE WHOLE THING. 54:42 I'M SO HONORED, C.A. TO BE PART OF THIS WITH 3ABN WITH YOU AND 54:47 DANNY AND THE WHOLE GANG. >> YEAH. 54:49 >> THIS IS REAL SPECIAL TO ME. >> YEAH. 54:52 >> WE DO THIS A LOT, BUT THIS IS A REALLY SPECIAL -- AND I KNOW 54:55 THE LORD IS GOING TO USE THIS IN A GREAT, GREAT WAY. 54:58 >> AND 3ABN IS HONORED AND PROUD TO WORK WITH YOU. 55:02 ONE OF THESE SINGS IS A BACH IN THE BEGINNING OR BEETHOVEN -- 55:15 >> BEETHOVEN, YEAH, TWO PARTS. >> YOU HAVE SURPRISES, AND 55:23 PRIZES. >> OH, YEAH. 55:23 >> THIS IS GOING TO BE A FABULOUS, FABULOUS PROJECT. 55:29 DANNY WAS TRUSTED TO PUT IT IN REGGIE'S HANDS. 55:37 AND I DON'T KNOW IF IT COULD BE PUT IN BETTER HANDS THAN 55:46 REGENL -- AND WHAT IS THE MIDDLE NAME. 55:49 >> LET'S NOT GO THERE. SMITH. 55:54 >> GOD BLESS YOU. >> THANK YOU C.A. 55:58 >> WOW, WHAT AN EXCITING INTERVIEW. 56:01 HE IS FULL OF ENERGY, AND FULL OF LOVE FOR THE LORD, AND IS 56:05 REALLY IMPRESSED TO DO HIS VERY, VERY BEST FOR THIS BRAND NEW 56:09 PROJECT. LET ME ENCOURAGE YOU ONCE AGAIN, 56:12 OUR CAMP MEETING IS JUNE 8TH, THROUGH 11 THIS YEAR. 56:16 WITH A SPECIAL VALUE-ADDED SERIES OF SEMINARS ONE MY MYSELF 56:22 AND ONE MY SHELLEY QUINN, WHO THOSE OF YOU WHO WILL BE PART OF 56:29 OUR TEAM. BRING YOUR CERTIFICATE. 56:31 BECAUSE WE WANT TO TAKE A MASS PICTURE OF AS MANY OF YOU AS WE 56:38 CAN. AND LET EVERYONE SEE THOSE WHO 56:42 WERE ON OUR TEAM. WE KNOW THERE IS GOING TO BE A 56:45 BLESSING FOR YOU WHEN YOU COME. WE ARE VERY, VERY EXCITED TO 56:51 HAVE THIS CAMP MEETING, AND COME ON AND BE PART OF THE FUN AND 56:55 THE EXCITEMENT. GOD WILL BLESS YOU. 56:58 WELL, AGAIN, OUR TIME HAS FAST SLIPPED INTO ETERNITY. 57:07 ALLOW ME TO WISH YOU BOTH BLESSINGS, AND PEACE. 57:12 BYE-BYE, AND GOD BLESS YOU. ♪ |
Revised 2016-04-29